However, Petit family is not limited to body and captions - its “slabby robustness” will make a relevant headline choice as well.PS Fournier Grand presents a higher contrast adapted to large text sizes, displays or banners. With a bit of tracking, PS Fournier Petit will make the smallest captions perfectly readable. In addition, Fournier is one of the earliest advocates of the point system to organize the practice of typography, the point system that contemporary typographers continue to use to this day.The refined and discreet elegance of PS FournierWith a close look at the family, one finds you’ll find that the difference between the optical sizes (Petit, standard and Grand) is more than a contrast variation between the thin and the thick the eye can also denote a palette of distinct tones: More streamlined and robust in the smaller sizes (Petit), more refined and detailed in the larger sizes (Grand).The PS Fournier standard family is designed to adapt to any situation with its intermediate optical size, from body copy to headlines. He also offered a unique vision: he is the first to clearly comprehend the concept of “type family,” sorting a set of similarly styled alphabets by sizes, width, and by x-heights. Precursor of the Modern style, Fournier’s body of work deeply influenced his times, and created the fertile ground from which the Didot family and Giambattista Bodoni developed their own styles.During the historical period of the 18th century, Fournier exemplified the intellectual pursuits of the times with his own research on type, documenting in detail the typefounding process. His art is representative of the pre-revolutionary “Age of Enlightenment” (Siècle des Lumières). Early in his career, the young Pierre Simon developed a strong aesthetic that he cultivated throughout his life. Featuring three optical sizes, PS Fournier is designed to perform in any context.The Pierre Simon Fournier heritagePierre Simon Fournier (1712-1768) was a leading innovative type designer of the mid-18th century. PS Fournier elegantly represents the transition to the modern era of typography. Fournier was the prolific Parisian type designer whose work is best known for its iconic representation of French transitional style.
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Style and elegance in 14 stylesPS Fournier, created by Stéphane Elbaz, is designed in tribute to Pierre Simon Fournier. Through all this, Grado remained literally an island of tranquility, connected to the mainland by a only causeway and lines on a map. We were warned not to get off the train because there were still shooting skirmishes in the area. Crossing the Alps, the train stopped for customs inspection at the rural Italian-Austrian border, just above Slovenia. In 1965 I was traveling by train from Venice to Vienna. Some basic discussion of the period from 1919 to 1939 may be found in Seton-Watson’s Eastern Europe Between The Wars (Cambridge 1945) and Rothschild’s East Central Europe Between The Two World Wars (Seattle 1974).
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The area was marked by years of political tension between Italy and Yugoslavia, exemplified by the d'Annunzio expedition to capture Fiume (Rijeka) in September, 1919. With Trieste came Montefalcone, Aquileia and Grado. So it remained until the dissolution of the Austro-Hungarian Monarchy in 1919, following World War I, when the seaport of Trieste was awarded to Italy. With the decline of the Roman Empire, the upper Adriatic region came under the rule of the Visigoths, the Ostrogoths, the Byzantines, the Lombards, the Franks, the Germans, the Venetians and finally, in 1796, the Austrian Hapsburgs. At one time the port for the important Roman town of Aquileia. Grado lies on the northern Adriatic, between Venice and Trieste. To our knowledge, it was never cast in type. Auchentaller was inspired by a travel poster by Josef Maria Auchentaller in 1906.